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Krušedol Monastery

Krušedol Monastery is a Serbian Orthodox monastery located on Fruška Gora mountain, founded between 1509 and 1514 by Saint Maksim Branković and Saint Angelina of Serbia. It served as the spiritual center for the Branković family and later became the seat of the Metropolitanate of Krušedol. The monastery has endured numerous ransackings and fires throughout its history, particularly during Ottoman conflicts and World War II, but has been repeatedly rebuilt, preserving its rich artistic and historical legacy.

Key Facts

  • Founded between 1509 and 1514 by Saint Maksim Branković and Saint Angelina of Serbia.
  • Intended as the mausoleum for the Branković family, the last Serbian despot family.
  • Served as the seat of the Metropolitanate of Krušedol starting in 1708.
  • Once housed the largest brotherhood on Fruška Gora with 90 monks and 12 elders in 1670.
  • Burial site for members of the Branković family, two Serbian Orthodox Patriarchs, and other notable historical figures.
  • Declared a Monument of Culture of Exceptional Importance in Serbia in 1990.
Krušedol Monastery
Founding Date
1509-1514
Architectural Style

Morava Architectural School, Baroque

Notable Features
  • Flower Garden
  • Loans
  • Park
  • Sundial Above A Window
  • Iconostasis With Icons From the 16th To 19th Centuries
  • Frescoes From 1545, Overpainted 1745-1757
  • Voluminous Library
  • Burial Sites of Notable Figures
Location Details
Located on the Fruška Gora mountain in the Syrmia region, northern Serbia, in the province of Vojvodina.
Patron Saint Or Deity
Annunciation to the Theotokos
Alternative Names

Manastir KrušEdol

Denomination Or Order
Serbian Orthodox Church
Associated Figures

Saint Maksim Branković, Saint Angelina of Serbia, Neagoe Basarab, Milica Despina of Wallachia, Grand Prince Vasili Iii of Russia, Arsenije Iii čArnojević, Arsenije Iv Jovanović šAkabenta, Princess Ljubica Obrenović, King Milan Obrenović, Count đOrđE Branković, Voivode Stevan šUpljikac, Isaija đAković, Vikentije Popović-HadžIlavić, Nikanor Melentijević, Laza Kostić, Dejan Medaković, Jov Vasiljevich, Stefan Tenecki, Amfilohije

Historical Events
  • Founded Between 1509 and 1514
  • Became Seat of the Metropolitanate of KrušEdol In 1708
  • Monks Fled During the Great Serbian Migration In 1690 and Returned In 1697
  • Ransacked and Burned By Ottomans During the Austro-Turkish War of 1716-1718
  • Looted and Damaged During World War Ii
  • Declared A Monument of Culture of Exceptional Importance In 1990

About Krušedol Monastery

Krušedol Monastery is a significant Serbian Orthodox monastic complex situated on the picturesque Fruška Gora mountain in the Syrmia region of northern Serbia, within the province of Vojvodina. Its establishment between 1509 and 1514 marks it as a legacy of the illustrious Branković family, the last Serbian despot dynasty to rule in Syrmia. The monastery is dedicated to the Annunciation to the Theotokos and is revered as the "spiritual beacon" of Fruška Gora, often compared to the historical significance of the Studenica Monastery for medieval Serbia.

Founding and Early History

The monastery's foundation is attributed to Saint Maksim Branković, Metropolitan of Belgrade and Srem, and his mother, Saint Angelina of Serbia. Their vision was for Krušedol to serve as the mausoleum for the Branković family. Early on, it received financial backing from influential figures such as Neagoe Basarab, married to Serbian princess Milica Despina of Wallachia, and Grand Prince Vasili III of Russia. In 1708, Krušedol Monastery ascended to prominence by becoming the seat of the Metropolitanate of Krušedol, a crucial administrative and spiritual center.

Resilience Through Adversity

Throughout its history, Krušedol Monastery has demonstrated remarkable resilience in the face of conflict and destruction. In 1670, it boasted the largest monastic brotherhood on Fruška Gora, comprising 90 monks and 12 elders. However, the Great Serbian Migration of 1690 forced the monks to flee to Szentendre, taking with them invaluable relics and artifacts. They returned to Krušedol in 1697. The monastery suffered significantly during the Austro-Turkish War of 1716-1718 when Ottoman forces ransacked and burned it, though it was later rebuilt. During World War II, the monastery was looted and damaged, though it was spared from burning.

Architectural and Artistic Heritage

The architectural evolution of Krušedol Monastery reflects its tumultuous past and periods of reconstruction. Originally built in the style of the Morava architectural school, the church underwent significant transformations, particularly after the 18th-century reconstructions, which introduced Baroque elements, notably in the reworking of seven church windows. A unique sundial is present above one of these windows. The monastery grounds also feature a flower garden, loans, and a park. The interior is adorned with icons spanning from the 16th to the 19th centuries, with original frescoes from 1545 having been overpainted in oil technique between 1745 and 1757 by artists like Jov Vasiljevich and Stefan Tenecki. The monastery's rich vault, though looted multiple times, contained valuable artifacts originally belonging to the Branković and other Serbian noble families. A significant library also contributes to its cultural importance, housing old church books brought from Russia.

Resting Place of Dignitaries

Krušedol Monastery holds deep historical and religious significance as the final resting place for numerous prominent figures. The entire Branković family is interred here, alongside two Patriarchs of the Serbian Orthodox Church: Arsenije III Čarnojević and Arsenije IV Jovanović Šakabenta. Other notable individuals buried at Krušedol include Princess Ljubica Obrenović, wife of Prince Miloš Obrenović, Serbian King Milan Obrenović, count Đorđe Branković, voivode Stevan Šupljikac, and several metropolitans and bishops.

Enduring Importance and Recognition

The monastery's importance extends beyond its religious functions. It has been a center for scholarship, with many scholars, including the poet Laza Kostić, visiting and residing there. Author Dejan Medaković extensively documented the monastery's paintings. In recognition of its profound cultural and historical value, Krušedol Monastery was declared a Monument of Culture of Exceptional Importance in 1990 and is protected by the state. Its significance is further highlighted by its depiction on the 5 Dinar coin and its past status as an Imperial lavra, having received the Order of St. Sava, 1st grade.

Source: Wikipedia ↗

Frequently Asked Questions

When was Krušedol Monastery founded?

Krušedol Monastery was founded between 1509 and 1514. It was established by Saint Maksim Branković, Metropolitan of Belgrade and Srem, and his mother Saint Angelina of Serbia.

Who is buried at Krušedol Monastery?

The Branković family, for whom the monastery was intended as a mausoleum, are buried there. Additionally, two Patriarchs of the Serbian Orthodox Church, Arsenije III Čarnojević and Arsenije IV Jovanović Šakabenta, are interred at Krušedol.

What is the architectural style of Krušedol Monastery?

The church was originally built in the Morava architectural school style. However, subsequent reconstructions in the 18th century incorporated Baroque elements, particularly in the reworking of seven church windows.

Has Krušedol Monastery faced damage or looting?

Yes, the monastery has been ransacked and burned by the Ottomans during the Austro-Turkish War and was looted and damaged during World War II. Despite these events, it has been rebuilt.

What is the significance of Krušedol Monastery?

It is considered the spiritual beacon of Fruška Gora and has been described as "Second Studenica." Its importance is recognized by its designation as a Monument of Culture of Exceptional Importance and its depiction on the 5 Dinar coin.

What notable features does Krušedol Monastery possess?

The monastery houses a rich vault, a voluminous library with old church books, and its iconostasis features icons spanning from the 16th to the 19th centuries. The interior frescoes were originally painted in 1545 and later overpainted in the 18th century.

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