Chudamani Vihara
Chudamani Vihara was a significant Buddhist monastery located in Nagapattinam, Tamil Nadu, India. It was constructed in 1006 CE by the Srivijayan king Sri Vijaya Maravijayattungavarman, with the crucial patronage of the Chola emperor Rajaraja Chola I. Although the vihara building itself is now in dilapidated condition, its historical importance is underscored by the numerous Buddha bronze statues found in the area, dating from the 11th to the 16th centuries.
Key Facts
- ›Built in 1006 CE by Srivijayan King Sri Vijaya Maravijayattungavarman.
- ›Received patronage from the Chola Emperor Rajaraja Chola I.
- ›A copperplate record from Rajaraja Chola I details the construction.
- ›Numerous Buddha bronze statues, dating from the 11th to 16th centuries, have been discovered in Nagapattinam.
- ›One statue inscription indicates it was created as a processional image for the temple's festivals.
- ›The vihara building is currently in a dilapidated state.
Important Relationships
- Rajaraja Chola I
- Sri Vijaya Maravijayattungavarman
Numerous Buddha Bronze Statues, Processional Buddha Statue Inscription
- Construction of the Vihara
- Discovery of Numerous Buddha Bronzes Over Time
About Chudamani Vihara
Chudamani Vihara was a notable Buddhist monastery situated in Nagapattinam, within the present-day state of Tamil Nadu, India. Its establishment in 1006 CE marks a significant period of Buddhist cultural exchange and patronage in the region. The construction was initiated by the Srivijayan king Sri Vijaya Maravijayattungavarman, a powerful ruler whose influence extended across maritime Southeast Asia. Crucially, the vihara benefited from the substantial patronage of Rajaraja Chola I, the emperor of the Chola Empire, indicating a period of inter-kingdom cooperation and religious tolerance.
History and Discoveries
Historical accounts, notably a copperplate record from the Chola king Rajaraja preserved in Leiden University, detail the construction of the vihara. This inscription confirms the collaboration between the Srivijayan and Chola dynasties. Although the physical structure of the Chudamani Vihara has largely deteriorated and is described as being in a dilapidated condition, its importance is amplified by the extensive archaeological discoveries made in Nagapattinam. Since the mid-19th century, approximately 350 bronze statues of the Buddha have been unearthed, with dates ranging from the 11th to the 16th centuries. These findings suggest that the vihara was a center for Buddhist art and devotion for several centuries.
One particular Buddha statue, now housed in the John D. Rockefeller Collection of Asian Art in New York, bears an inscription translated by Vidya Dehejia. This inscription reveals that the statue was created to be carried in processions during the temple's sacred festivals, underscoring the dynamic religious life and practices associated with Chudamani Vihara. The inscription also refers to the vihara as a "perum-palli" (great place of worship or great vihara) and connects it to the "metalworkers" and the "perum-palli of Rajendra Chola," further elaborating on its significance and its place within the broader religious landscape of the Chola period.
Source: Wikipedia ↗
Frequently Asked Questions
When was Chudamani Vihara built?
Chudamani Vihara was constructed in 1006 CE. This date is established by historical records, including a copperplate inscription from the Chola king Rajaraja.
Who were the key patrons of Chudamani Vihara?
The vihara was built by the Srivijayan king Sri Vijaya Maravijayattungavarman with the significant patronage of the Chola emperor Rajaraja Chola I. Their support was crucial for its establishment.
What is the current condition of Chudamani Vihara?
The building of Chudamani Vihara has survived but is in a dilapidated condition. Despite the state of the structure, its historical importance remains.
What significant artifacts have been found at the site of Chudamani Vihara?
Since 1856, approximately 350 Buddha bronze statues have been found in Nagapattinam, dating from the 11th to the 16th centuries. These findings highlight the artistic and religious activity associated with the vihara.
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