Vemmetofte Adelige Jomfrukloster
Christian·Denmark·housing for the general public·18th century
Vemmetofte Adelige Jomfrukloster, originally a manor house, was transformed into a convent in 1735 by Princess Sophia Hedwig of Denmark to house unmarried noblewomen. The estate has a history dating back to 1320 and has undergone numerous architectural modifications, most notably in the Baroque and Historicist styles. Since 1975, it has been repurposed to provide housing for the general public.
Key Facts
- ›Founded as a convent in 1735 by Princess Sophia Hedwig of Denmark.
- ›Originally a manor house with references dating back to 1320.
- ›Designed to accommodate unmarried women of noble descent.
- ›The estate spans 2,293 hectares and includes other manors.
- ›Underwent significant renovations in Baroque and Historicist styles.
- ›Currently provides housing available to the general public.
Baroque, Historicist
Baroque Garden
Vemmetofte Kloster
Princess Sophia Hedwig of Denmark, Prince Charles of Denmark, Queen Consort Charlotte Amalie, Carl Adolph Von Plessen, Johannes Offesen, Stig Andersen Hvide
- Princess Sophia Hedwig's Death In 1738 and Subsequent Founding of the Convent.
- Prince Charles's Renovation and Expansion From 1714 To 1721.
- Charlotte Amalie's Acquisition of the Property In 1694 With Plans For A Convent.
- Revision of the Charter In 1975 To Open the Estate To the General Public.
About Vemmetofte Adelige Jomfrukloster
Vemmetofte Adelige Jomfrukloster, also known as Vemmetofte Kloster, is a former manor house located in Faxe Municipality, south of Copenhagen, Denmark. Its history as an estate dates back to at least 1320, owned by figures such as Johannes Offesen and later members of the aristocratic Brock family, who fortified it significantly. The property eventually came into the possession of Queen Consort Charlotte Amalie in 1694, who envisioned it as a convent for wealthy, unmarried noblewomen, though she passed away before this could be realized.
History and Transformation
Prince Charles of Denmark, Charlotte Amalie's son, inherited Vemmetofte and undertook a major renovation and expansion between 1714 and 1721, adapting it to the Baroque style. Following a rift with his brother King Frederick IV, Prince Charles and his sister, Princess Sophia Hedwig, resided at Vemmetofte. Upon Prince Charles's death in 1729, he bequeathed the estate to Princess Sophia Hedwig, stipulating that it be turned into a convent for unmarried noblewomen upon her passing. The princess died in 1738, and Vemmetofte Convent was formally founded that same year, with Carl Adolph von Plessen serving as its first curator. The convent typically accommodated around eleven residents who met the charter's requirements of noble descent or lineage from high-ranking classes.
Architectural Evolution
The architecture of Vemmetofte reflects its layered history. The primary structure was initially built in 1500 and expanded between 1600 and 1630. The significant Baroque expansion and redesign by Prince Charles, assisted by Johan Conrad Ernst, also included new estate buildings and a formal Baroque garden. Later, in the late 19th and early 20th centuries, renovations by architects Theodor Zeltner and Axel Berg introduced Historicist and other stylistic changes, considerably altering its appearance.
Modern Use
In 1975, a revision of its charter allowed Vemmetofte to open its doors to a wider range of tenants. Today, the estate, which encompasses 2,293 hectares and includes other manors, provides housing available to the general public. The associated churchyard contains the graves of notable figures such as missionary Karen Bardenfleth and writer Christian Henrik Brasch.
Source: Wikipedia ↗
Frequently Asked Questions
When was Vemmetofte Adelige Jomfrukloster founded as a convent?
Vemmetofte Convent was founded in 1735, following the death of Princess Sophia Hedwig of Denmark, who had bequeathed the estate for this purpose.
What was the original purpose of Vemmetofte Convent?
The convent was established to provide housing for unmarried women of noble descent. According to its charter, residents were either noblewomen or daughters of men from the three highest ranking classes.
What is the architectural history of Vemmetofte?
The main building dates back to 1500 and was expanded between 1600 and 1630. Prince Charles oversaw a Baroque expansion and redesign between 1714 and 1721. Later renovations in 1882-1883 and 1907 attempted Renaissance and then further stylistic changes.
What is Vemmetofte used for today?
Since a revision of its charter in 1975, Vemmetofte has been open to other tenants, providing housing available to the general public. The estate is extensive, covering 2,293 hectares.
What is the historical significance of the Brock family at Vemmetofte?
Members of the aristocratic Brock family owned Vemmetofte from 1464 to 1639. During their ownership, the estate was a strongly fortified house featuring a ring wall, double moats, and drawbridges.
Related Monasteries
Gisselfeld Adelige Jomfrukloster
Gisselfeld Adelige Jomfrukloster, historically a manor estate, was established as a convent for noblewomen in 1755 following the will of Christian Gyldenløve. Situated in Denmark, the estate is notable for its Renaissance-style architecture and extensive grounds, which include forests, lakes, and formal gardens. It remains under the stewardship of the Danneskiold-Samsøe family, descendants of its founder.
Vallø Adelige Jomfrukloster
Vallø Adelige Jomfrukloster, also known as Vallø stift or Det Adelige Stift Vallø for ugifte døtre, was a Danish foundation established in 1737 by Queen Sophie Magdalene. It functioned as a convent for unmarried noble and princely women, housed at Vallø Castle. The foundation's purpose and structure evolved over time, adapting to changing societal needs and regulations.
Chiajna Monastery
Chiajna Monastery is a ruined church on the outskirts of Bucharest, Romania, known for its numerous legends and its status as a national heritage site. Construction began during the late 18th century under Phanariote rulers and was intended to be a significant place of worship, but it was abandoned due to plague and never fully consecrated. Despite its ruined state, efforts are underway for its restoration, and it remains a subject of local folklore.